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We seem to have had a failure of the Entertainment System.
— The Hostess, on the RTD Era
We seem to have had a failure of the Entertainment System.
— The Hostess, on the RTD Era


The Doctor - nope

>mfw the screaming chick is suddenly silent and facing away from me

The Doctor - nope

>mfw the screaming chick is suddenly silent and facing away from me

Midnight is the tenth episode of the fourth season of The Twilight Zone, starring David Duchovny and Catherine Tatas, and written by Rusty T. Dimmsdale.

Midnight is the tenth episode of the fourth season of The Twilight Zone, starring David Duchovny and Catherine Tatas, and written by Rusty T. Dimmsdale.

PlotEdit

PlotEdit

The Doctor gets on a bus, a mystery happens, and then the show eats itself.

The Doctor gets on a bus, a mystery happens, and then the show eats itself.

2 spooky.

2 spooky.

ReceptionEdit

ReceptionEdit

The episode is widely regarded as combining the best features of both RTD (skepticism over the character of the Doctor, an almost overwhelmingly misanthropic view of the world, and a keen idea of how to emotionally connect with the viewing audience with just a couple scenes of dialogue) and Moffat (a sense of creeping fear, a monster primarily represented as an interesting filming trick, that can likewise easily be translated to childhood play). Coming right after Forest of the Dead, it thus eases the transition into the imminent Moffat era. Just a shame RTD never wrote for that era, if this is the sort of thing he could have done.

The episode is widely regarded as combining the best features of both RTD (skepticism over the character of the Doctor, an almost overwhelmingly misanthropic view of the world, and a keen idea of how to emotionally connect with the viewing audience with just a couple scenes of dialogue) and Moffat (a sense of creeping fear, a monster primarily represented as an interesting filming trick, that can likewise easily be translated to childhood play). Coming right after Forest of the Dead, it thus eases the transition into the imminent Moffat era. Just a shame RTD never wrote for that era, if this is the sort of thing he could have done.

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